← Back to BlogFeature

Lazarus Won Best Original Anime. It's Also Shinichiro Watanabe's First Series Since Cowboy Bebop Redefined the Genre

A Nobel-winning drug, a three-year countdown, and the director who made jazz and anime inseparable. Here's what Lazarus actually is.

AnimeShinsekai Team · Oct 20, 2026 · 5 min read

A glass bottle filled with pills sitting on a wooden table

Photo: Bruno Guerrero / Unsplash

Lazarus won Best Original Anime at the 2026 Crunchyroll Anime Awards — a notable win for a show with no manga or light novel behind it, up against franchises with decades of built-in audience and source material to draw on.

The premise: set in 2059, in a world turned into something close to a utopia by Hapuna, a miracle drug that's eliminated pain itself. On the day of its global launch, the drug's Nobel Prize-winning inventor, Dr. Skinner, vanishes — then resurfaces just long enough to announce that everyone who's taken Hapuna will die in exactly three years, before disappearing again. The government assembles Lazarus, a five-person team of specialists, to track him down and find a cure before the clock runs out.

The real hook for longtime anime fans: this is director Shinichiro Watanabe's first original series since Cowboy Bebop and Samurai Champloo — the director most responsible for treating music as a co-lead rather than background scoring. Lazarus keeps that going with a score from Kamasi Washington, Floating Points, and Bonobo, a genuinely unusual lineup of names for an anime soundtrack to carry.

Other notable names attached: Chad Stahelski, director of the John Wick films, handling the action sequences, and character designer Akemi Hayashi (Banana Fish, the 2011 Fruits Basket). It's a MAPPA production made for Adult Swim, not adapted from existing source material — which is exactly why the Best Original Anime win matters. There's no built-in manga fanbase carrying this one across the finish line.

For anyone who grew up on Cowboy Bebop specifically: Lazarus isn't a spiritual sequel in premise, but it's the clearest signal in two decades that Watanabe hasn't lost interest in building a world around music the way that show did first.